From stolen pearls to a glove left at the scene of the crime, from an excess of red lipstick to the post-modern gangster silhouette, fashion and style are commonly utilized in film to glamorize and glorify criminal behaviour.
These images and more will be the focus of the third New York edition of the London-based Fashion in Film Festival to take place at Museum of the Moving Image from 4-13 May, 2012. If Looks Could Kill, the Festival explores the compelling links between cinema, television, fashion, crime, and violence.
Tackling themes such as disguise, desire, and the corruption of beauty, the festival features a string of underworld characters and their prosecutors whose highly effective costume, styling, and sartorial gestures helped define cinematic genres from detective to thriller, gangster, film noir, and horror.
If Looks Could Kill includes screenings of ten feature films, a talk by the noted film scholar Tom Gunning, and a panel discussion featuring costume designers Juliet Polcsa from the HBO series The Sopranos, Lisa Padovani from the HBO series Boardwalk Empire, and Shelley Fox, Professor of Fashion at Parsons The New School for Design.
Highlights of the feature films include an imported 35mm print of Asphalt, a 1929 German “Strassenfilm,” a pre-film noir tale about a lovely diamond thief, presented with live music by Makia Matsumara; an archival print of Frank Borzage’s Desire (1936), starring Marlene Dietrich and Gary Cooper; screenings of two versions of Mildred Pierce, the 1945 film directed by Michael Curtiz, starring Joan Crawford, and Todd Haynes’s recent HBO miniseries, with Kate Winslet in the title role; and John M. Stahl’s luxurious Technicolor melodrama Leave Her to Heaven (1945). Also screening are Martin Scorsese’s Casino, Elio Petri’s The Tenth Victim, Paul Schrader’s American Gigolo, Abel Ferrara’s Ms. 45, and Alfred Hitchcock’s Marnie.
The New York edition of Fashion in Film Festival: If Looks Could Kill is programmed by Marketa Uhlirova, Festival Director and Research Fellow in fashion history and theory at Central Saint Martins College of Art and Design; David Schwartz, Chief Curator of Museum of the Moving Image; and Christel Tsilibaris, Associate Curator of If Looks Could Kill program.
Fashion in Film was founded in 2005 and stages a biennial festival and year-round conference and exhibition programs exploring how the moving image represents and interprets fashion as a concept, an industry, and a cultural form. Fashion in Film is based at Central Saint Martins College of Art and Design, University of the Arts, London.
Find out more:
- Museum of Moving Image website
- Fashion in Film website
















